Dorothy

Bad Bunny went full costume, carrying a cane and dressing up as an older version of himself with gray hair and special effects makeup to add years to his face. The artist joked with Vogue that it took 53 years to finish the look. Supermodel Heidi Klum, known for taking her Halloween costume to new heights, brought that same dedication to the Met Gala as she arrived as a draped statue.

Stars also celebrated the dress code with their accessories. Actor and fashion muse Gwendoline Christie playfully covered her face on the carpet with a mask of her own face while pop star Katy Perry opened and closed her fencing-like mask on the carpet to smile at the cameras.

Beyoncé left the cowboy hat at home and dazzled in a custom Olivier Rousteing sculptural skeleton dress with a cream and dust blue feathered train fitted with a diamond crown for “Queen Bey.” The award-winning performer and her family, Jay-Z and Blue, stopped to pose as a unit on the carpet together.

Chamberlain arrived in a breathtaking Mugler by Miguel Castro Freitas hand-painted dress. The star was dipped in a rainbow of colors from her décolletage down to the spiral train of her body-hugging dress with fringe falling down the cuffs of the long-sleeve gown.

With all the fanfare around the “The Devil Wears Prada 2,” Met Gala Co-chair Anna Wintour opted for a cool mint ensemble - not the trendy cerulean blue from the first film. Wintour’s look featured a feathered cape and a beaded dress by Matthieu Blazy for Chanel that she classically paired with her signature bob and oversized sunglasses.

Artistic references When guests were not wearing art, they were making references to it. Head of Editorial Content for US Vogue Chloe Malle wore an apricot orange Colleen Allen dress inspired by Sir Frederic Leighton’s “Flaming June” painting. Actor and author Lena Dunham collaborated with Valentino designer Alessandro Michele for her red feathered dress to depict his interpretation of “Judith Slaying Holofernes.” As a child, Dunham told Vogue, she would visit the Met museum on Sundays and admire the paintings in the Renaissance section.

“One of my favorite painters from that era is Artemisia Gentileschi, who was one of the only women painting professionally in that moment,” she told Vogue. “So I sent some of the images to Alessandro, and because he’s a genius, instead of dressing me like her, he said, ‘You are actually the blood spatter as … Judith cuts the neck off a man.’”

Venus Williams was not the only guest to break the fourth wall with an artistic reference to herself. It was a trend of the night, with gala host committee members Amy Sherald in a Thom Browne look inspired by her own work of art and singer Sabrina Carpenter wearing a Dior dress designed with film strips from the 1954 movie “Sabrina.”

Fashion as canvas Some guests brought out their artistic side as they transformed their dresses into works of art. TikTok followers watched along as Jessica Kayll, who designs colorful silk robes, finished painting her dress in the days leading up to the gala. Kayll painted her own take on the famous Monet water lily scene right on top of her dress for the gala.

“She is the goddess of peace,” Kors told Vogue. Dressed body Rather than wear art, models showed off their toned bodies as part of “Costume Art” exhibit’s theme celebrating artistic representations of the body. Supermodels Gigi Hadid and Irina Shayk both wore revealing looks on the carpet.

Instead of opting for a body-hugging gown, Kim Kardashian wore a bright orange metallic body plate from the ’60s designed by Allen Jones.

While the Met Gala theme may change, one thing remains the same: Year after year, Rihanna remains one of the most anticipated arrivals of the evening.

On Monday, she arrived at the Metropolitan Museum of Art wearing a shimmering look by Margiela Couture by Glenn Martens.

“I’m so in love with this dress, but the train is insane!” she told Vanity Fair at the time. “I can’t really walk in it without any help—but it’s so worth it. I love this dress so much! It’s Chinese couture and it’s made by Guo Pei. It’s handmade by one Chinese woman, and it took her two years to make. I found it online.”

In the years that followed, Rihanna continued to turn heads, working with designers like Commes des Garçons, John Galliano for Maison Margiela (who can forget her Pope-inspired look for “Heavenly Bodies: Fashion and the Catholic Imagination” in 2018?), Balenciaga, and Valentino.