Strokes Deliver Political Statement at Coachella Amid Festival's Evolving History
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But in 2006, the seed was sown for Coachella as we now know it: The buzz around the fields was the arrival of a pop star at what had traditionally been a deliberately unglossy event. Madonna did a quickie six-song set anchored by her 2005 LP “Confessions on a Dance Floor,” and in the spirit of that album — a shimmering love letter to the club — she didn’t take the main stage, but performed in a tent where the D.J.s held court. She brought her band, a handful of dancers and a video screen backdrop, but the moment somehow maintained an aura of low-keyness. Madonna had performed on the festival’s terms; pop had come to the desert, but it hadn’t overtaken it.
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Vanity FairMadonna's 2006 show might have been her first time at Coachella, but it wasn't her only Indio show. In 2015, she joined Drake as he closed out the festival's first weekend, singing Bedtime Stories 1994 slow jam "Human Nature" before locking lips with the Degrassi star turned musician turned beef participant.
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Every year, for two weekends in April, a small patch of desert in Indio, California, becomes the hottest ticket in the country. Most people know it as Coachella, a once-scrappy music festival first held in 1999 that’s grown into one of the biggest festivals in the world. But online, thanks to the sheer amount of money poured into creator marketing, there’s a much simpler name for it: the influencer Olympics.
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NYT ArtsBy 2016, the biggest U.S. festivals were so generic — and had become a place to be seen, rather than to see music — that our pop critics at The Times wrote a mini manifesto explaining why we were no longer covering them one by one. Yet the next year brought the promise of a major shift at Coachella. Beyoncé was announced as a headliner, then withdrew after revealing she was pregnant, and Lady Gaga took the slot in her place. A full-blown pop spectacle touched down on the festival’s main stage (a version of what would become Gaga’s Joanne World Tour), including elaborate choreography, a set with a catwalk and wardrobe changes.
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US band the Strokes have used their Coachella set to make a stark political statement against America’s history of foreign intervention and war in other countries, including Iran and Palestine.
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Fox News EntertainmentThe Strokes appeared to take aim at the U.S. government during Coachella weekend two, ending their set with a politically charged video montage.
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At the end of their set at the second weekend of the California music festival, the band performed their 2016 song Oblivius in front of giant LED screens that showed a montage of world leaders whose death or ousting the CIA has either been a proven or suspected party in, as lead singer Julian Casablancas sang the lyrics: “What side you standing on?”
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Fox News EntertainmentThe American rock band concluded their main stage performance on Saturday night with their 2016 song "Oblivius" as imagery played on the screens behind them that referenced alleged CIA-backed regime change overseas, the death of Martin Luther King Jr. and bombings in Gaza and Iran.
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The video depicted a sequence of world leaders it suggested were overthrown by the CIA including Iranian Prime Minister Mohammad Mosaddegh in 1953, Guatemalan President Jacobo Árbenz in 1954, Congolese Prime Minister Patrice Lumumba in 1961, Chilean President Salvador Allende in 1973 and Bolivian President Juan José Torres in 1976.
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The Guardian CultureOther leaders shown in the montage included Iran’s democratically elected prime minister Mohammad Mosaddegh, whose removal from power in 1953 was exposed as a CIA-orchestrated coup in declassified US documents in 2013; and Martin Luther King Jr, who was assasinated in 1968 after years of surveillance by both the FBI and the CIA. However, US government involvement in his killing has never been proven and a department of justice investigation in 2000 found no evidence of a conspiracy.
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Things went into gay overdrive when it was confirmed that Confessions II would be released on July 3 and Madonna sent our temperatures up even further by dropping the first single, I Feel So Free. Cue a new flurry of text messages.
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Vanity FairThe 26-year-old Carpenter, who was born nine years after the song's release, held her own with the song's originator, following up with a duet of “Like a Prayer” (vintage: 1989) before launching into a new song, “I Feel So Free,” from Madonna's long-rumored new album, Confessions II. (It's set for release on July 3, 2026.)
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01 NYT Arts By sheer numbers, Blockbuster Rock Fest was one of the biggest musical events of the 1990s. On the first day of summer in 1997, more than 350,000 people packed into the Texas Motor Speedway in Fort Worth to see a dozen bands, among them Counting Crows, Bush, the Wallflowers and Third Eye Blind. Those groups were all multiplatinum staples of alternative rock radio and MTV, which, you’ll have to take it as an article of faith, were things that not only existed but actually drove the culture.
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02 The Guardian Culture Also shown was Chilean president Salvador Allende, who killed himself during the 1973 CIA-backed coup that toppled his socialist government and brought in the brutal military dictator Augusto Pinochet. Though some still believe the US also played a role in Allende’s death, a scientific autopsy in 2011 confirmed there was “absolutely no doubt” he died by his own hand.
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03 Fox News Entertainment The statement appeared to refer to the 1999 civil case King v. Jowers, in which a jury found that King's assassination was the result of a conspiracy that included government entities. A 2000 Department of Justice review found no credible evidence that U.S. government agencies were involved in King’s assassination and rejected claims of a broader conspiracy.
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04 Vanity Fair Rumors that Madonna and Carpenter would pair up reached a fever pitch this week, after Madonna announced her latest album release on Wednesday. Those who follow the 67-year-old star's every move noted that she'd rolled into the Palm Springs area earlier on Friday, so fans were primed and ready as Carpenter wrapped her performance of “Juno,” up, singing the line “Have you ever tried this one?” before Madonna—ascending from beneath the stage—joined her as the two launched into 1990's epic smash hit, "Vogue."
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05 Rolling Stone Culture Coachella began as an “anti-Woodstock,” a trial run for the idea that a festival could give concertgoers a smooth, curated experience. Now the symbiotic relationship between brands and influencers is part of the very structural makeup of Coachella. The festival’s campground runs on layers of exclusivity, which have consistently increased online interest and engagement. For creators, it can be the biggest payday of the year. Coachella didn’t invent the influencer — but it’s making them a whole lot of cash.
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06 NYT Style But the crowd wasn’t camping out for that night’s headliner, Sabrina Carpenter, or for the buzzy girl group Katseye. Attendees were patiently waiting to see Bob Baker Marionette Theater, home to some of Los Angeles’s most popular puppets.
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